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Why should musicians give up their job when they're twenty, instead of whenever they want, like anybody else? INTERVIEWER: Did you submit demos or anything? We had to have eight songs to do it and we only had six so we had to write another two! 11:23 . See more ideas about New romantics, Post punk, 80s goth. Eventually it came to mean the type of sanitised chart fodder as churned out by the likes of Duran Duran, Spandau Ballet, Culture Club, … It's rubbish when people say, 'Oh, they look old now.' But I would rather my life be like that, be more spontaneous than not, because that's how I feel comfortable.". Rose enthuses. While Symphony's music was dark and harrowing in a sinister way, Strawberry's was bright and beautiful with dark undertowings. It's such an insipid world where everything is all beauty and perfection. JILL BRYSON: We had to pick four songs, and there was only the two of us so we had to get a band together. But at the same time it's a great song to have as your first single precisely because of that built-in nostalgia. ROSE MCDOWALL: No, we didn't! If you have any personal experiences with … Looking like the brides of Robert Smith, Strawberry Switchblade made a brief splash on the U.K. charts and then abruptly vanished in the mid '80s, leaving their fans with a handful of collectible singles and one LP of … You don't always take what the papers say; you read between the lines. "Exactly! Edit Release All Versions of this Release … As well as the unparalleled joy of keeping the publication alive, you'll receive benefits including exclusive editorial, podcasts, and specially-commissioned music by some of our favourite artists. In a interview published on the Strawberry Switchblade website, the band described how they were discovered by Kid Jensen and John Peel: [1]. Strawberry Switchblade never fitted in. Recorded: 1985-02-05. And not only that, your private life is barely existent. Don't make me over-explain things; I don't need to do that.". I know because I looked it up in wikipedia - as you do. Strawberry Switchblade singles chronology "Trees and Flowers" (1983) "Since Yesterday" (1984) "Let Her Go" (1985) "Since Yesterday" is a song performed by Scottish synth-pop duo Strawberry Switchblade, the lead single from their self-titled album. And when they asked me to sing backing vocals on 'Just like Honey' with them as well I was like, 'Oh my god', and I came off stage and all of my band were like, 'Wey!' Two hours of weather(ish) themed musical gems, with the usual dad n daught chat. But even by the standards of the times, things happened remarkably fast for Strawberry Switchblade. You dig into things you're interested in yourself, whether they be political or art or anything. You've got what I am prepared to give, and that's that. In 1986, the group split with Rose McDowall continuing playing music in neofolk bands while Jill Bryson in 2013 returned to writing music after a gap of 30 years in a band called The Shapists with her daughter Jessie Frost. We're all people, we're all personalities, and everybody's body goes through stages of change from birth to death. It was like, this is mental! Basically it was the four of us and we had to rehearse. "That sounds insane; I've had this conversation with friends recently, and to say I was almost murdered two or three times - I mean if you were almost murdered, why would you not remember exactly how many times? So when I arranged these gigs they all volunteered to help, which was brilliant. "We did two gigs, actually," Rose confirms. Broadcast: 05 October 1982. Broadcast: 15 April 1985. "I just loved Bjork's energy. But although songs like 'Tibet', 'Wings Of Heaven' and 'Crystal Nights' have all the feather-light, bittersweet beauty of the best Strawberry Switchblade material, but with an added depth and darkness, and Rose's dance-pop take on Blue Oyster Cult's 'Don't Fear The Reaper' sounds like an eighties mega-hit that never was, none of this material was properly released at the time. One suspects this may be how she likes it. "I know, that's great, because I believe great music never dies anyway. she laughs. On the dates I saw this year and it was great to see a younger generation of kids getting g into it; 14-year-olds in the mosh pit taking songs like 'Never Understand' as their own. I didn't actually want to tell anyone what it was about at the time.". Away from the neo-folk / industrial scene, Rose has also sung on records by Felt and the Pastels, and her influence can be felt on contemporary American groups like the Dum Dum Girls and Puro instinct. I don't want people inside my life that aren't invited. STRAWBERRY SWITCHBLADE Kid Jensen 3rd October 1982 - Duration: 11:23. "It was an all-day event that had Micha Bergese with his dance team, which was totally amazing," Rose recalls. Barcode and Other Identifiers. Background and composition "Since Yesterday" (primarily written by Rose McDowall) was … They knew how much it meant to me. As they all did with me; we all became really good friends.". I said 'do you want us to send a tape?' JILL BRYSON: You know, it was just weird, the whole thing was SO weird. I was walking in a world I knew pretty well when I met those guys, hence loving the name Strawberry Switchblade, because I am both things. (Redirected from Jill Bryson) Strawberry Switchblade were a Scottish new wave / pop duo formed in Glasgow in 1981 by Jill Bryson and Rose McDowall, best known for their song "Since Yesterday" from 1985, and their flamboyant clothing with bows and polka-dots. I mean, do you believe in slavery? JILL BRYSON:You know, it was just weird, the whole thing was SO weird. They were faces of the year in 1985, before disappearing into the obscurity they had emerged from; a peculiar punctuation to a peculiar decade of New Pop, There was a lot of talk about New Pop in the '80s. But I'd been on Top Of The Pops and everything, so it wasn't like I was a stray or like Little Red Riding Hood walking into the woods with all the wolves around her; it was probably the other way around! "It happened at just the right time, because I didn't feel like anyone around me. Repeated: 02 November 1982, 27 December 1982, 2. Twee-Pop [ˈtwiː-] (von engl. I actually need someone to do that because days fly by and I don't know where time's gone. Rose does however still have a copy on cassette, and if the quality is good enough and everyone is in agreement it's possible it could eventually come out on Night School Records, who are beginning an extensive reissue of her back catalogue beginning with her album of immediate post-Strawberry Switchblade recordings, Cut With The Cake Knife . It's worth noting too that Psychic TV were also courting pop success with the single 'Godstar,' which Rose sang on in early 1986. I will write what I've got to say in a song, and if I wanted to say any more I would've written it in the song. I was having a great time, but underneath it all there was a lot of crap going on. "I am still mentally suffering from those days, although I probably didn't really think that until quite recently, to be honest! moysmat January 19, 2018 Report; what a stunningly beautiful song this is i love it very talented band Reply Notify me Helpful [r764314] Release. Formerly known as the Sunflower demos, after an alias Rose was considering using at the time, some of the tracks were intended for the never-made second Strawberry Switchblade album; others were written as Rose became increasingly involved with the post-industrial underground scene of Current 93 and Psychic TV. Listen to an hour of Strawberry Switchblade's technicolour pop on this In … Although new material written with Canadian composer Shawn Pinchbeck is forthcoming, most recently Rose came full circle by opening for the Jesus And Mary Chain on this year's Psychocandy anniversary tour. We experimented a bit with instruments and things like that, what we could afford to experiment with. If you love what we do, you can help tQ to continue bringing you the best in cultural criticism and new music by joining one of our subscription tiers. "It was actually about nuclear war. And it was like a little supergroup. Strawberry Switchblade - Top Of The Pops 24-01-1985 - YouTube I am many things.". We always got on really well because we were all quite similar in lots of ways. Mark Bedford and Daniel 'Woody' Woodgate. The debut Strawberry Switchblade single, 'Trees And Flowers' (a Balfe/Drummond production, with Roddy Frame on guitar) was released on Will Sergeant's 92 Happy Customers label, before Strawberry Switchblade joined the Bunnymen on Warner's Korova subsidiary in 1983. Strawberry Switchblade discography and songs: Music profile for Strawberry Switchblade, formed 1981. Love Strawberry Switchblade. And I don't really like Simple Minds, but they were being interviewed, I think it was on [Radio 1 show with DJ] Kid Jensen, and he asked them what's happening in Glasgow, what other bands are good. Zoo Music/Warner Bros. Music Ltd. ℗ 1983 WEA Records Ltd. A Warner Communications Company. It makes it a lot more colourful jigsaw puzzle. That is just insanely unjust. We're all different and we should embrace our differences, not fight about them. "Music is my way of expressing myself, and I don't do music for other people," she says. Read the choicest cuts from the Quietus archive: reviews, features and opinion, From Rome To Weston-Super-Mare: Coil’s Musick To Play In The Dark, Cult Director of Hardware Richard Stanley Interviewed, Pulling At The Threads: Katie Gately’s Favourite Albums, Unquiet Spirits: Ifriqiyya Electrique Interviewed, A Self-Willed Mythology: The Lives Of Scott Walker, A Sacred Geography: Ivan Zoloto Interviewed, Frenz Experiments - Black Country, New Road Interviewed, The Metal Gods At Fifty: Judas Priest Interviewed. Babysprache twee „hübsch; süß; nett“) ist eine Variante des Indie-Pop, die sich durch einfache, hübsche Melodien und Texte auszeichnet.. Dieses Genre entstand 1986, als die britische Musikzeitschrift New Musical Express den Sampler C86 herausbrachte, auf dem unter anderem Bands wie The Pastels und Primal Scream enthalten waren. Written by Jill Bryson and Rose McDowall Produced by David Motion Released 1984 as a single, and in 1985 on the album Strawberry Switchblade Since Yesterday was the one big hit for Strawberry Switchblade.It originated as a radio session track called "Dance" for 'Kid Jensen's' Radio One evening show in 1982. In the years following Strawberry Switchblade's split Rose wrote and recorded the songs that are being reissued this month as Cut With The Cake Knife. I think Orange Juice had been signed by th… The band are considered one hit wonders, when their song 'Since Yesterday' reached number 5 in the UK Singles Chart in 1985. We'd been playing a few gigs in Glasgow and people obviously thought of it as a weirdo band of its time and place. "When you think of it, all of these people- the Creation people, all of the indie people, all of the dark industrial stuff- all of it came from punk, or just before, maybe going back to the sixties a bit even. But I wouldn't like that amount of fame. There's a magic to that song, to that record, I think. Here you can find all info about Strawberry Switchblade 2.0 from Riot Seeds. "I guess there was just a lot going on in my life at the time, and you don't have a manager on your back; you don't have somebody kicking you up the backside all the time going have you finished that yet? "It's like an exorcism inside me, it's like I'm getting it out of myself. I never told anybody that because I didn't want to write political songs, and also I'm quite private with what I think, so I just wanted to write a song. Repeated: 01 May 1985, Strawberry Switchblade - Trees and Flowers. He was in a band in Glasgow, I can't remember what they were called. 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